November

13th

November

13th

November

13th

Robert Pattinson, Kristen Stewart & Taylor Lautner at the Breaking Dawn Part 2 Premiere!

This post will include pics of Robert Pattinson, Kristen Stewart and Taylor Lautner at the Breaking Dawn Part 2 premiere!

 

sources: kstewartfans | TVC | RPLife

November

12th

November

12th

Kristen Stewart & Stephenie Meyer Talk Commitment + NEW Pic!

This last weekend saw the last tent city for the diehard fans of “The Twilight Saga.” Hundreds of loyal devotees of the epic romance between a mortal teenager and her vampire boyfriend braved cold nights camped out at the L.A. Live complex awaiting Monday night’s premiere of the fifth and final “Twilight” movie, “The Twilight Saga: Breaking Dawn Part II.” 

The film’s nationwide debut in theaters this Friday marks the end of an era for the five-part movie series starring Kristen Stewart, Robert Pattinson and Taylor Lautner, based on the books by Phoenix-based author Stephenie Meyer. Back in 2008, when it all began on location in Portland, Ore., no one could have imagined what a cultural phenomenon “Twilight” would become for young female audiences.

“The first one felt like our one-shot, didn’t it?” Meyer asks Stewart during a recent wide-ranging interview with the L.A. Times. “[Our attitude was] we are all going to go have fun and make a vampire movie and that’s it, we will walk away from it. I don’t think anyone of us thought it was going to be five years of our life.”

During those intervening years, the three relatively unknown actors became huge superstars and the films grossed $2.5 billion worldwide. The movies also proved that girl-driven stories could dominate the box office, paving the way for “The Hunger Games,” and the slew of book adaptations currently in development across Hollywood.

And as the series became more and more popular, the pressure to create a cinematic experience while remaining faithful to the books mounted. Meyer is a firm believer that the first movie’s director Catherine Hardwicke had the most freedom, while the others were more constrained by the series’ popularity.

“When we started doing this, there weren’t a lot of people screaming about what they wanted. Catherine had a more creatively-open environment. Then after the reaction, Chris [Weitz] came in and there was a sense that these people are watching, they are waiting for the details, they want to see this exact scene. All the rest of the directors had a more difficult challenge. There was more pressure.”

Keep reading >>>

 

Via GD

November

10th

November

10th

New interview with Kristen Stewart and Stephenie Meyer with a new picture

Even after all this time, author Stephenie Meyer, the Mormon mother of three who became an overnight literary sensation with the 2005 publication of her young-adult novel “Twilight,” can’t explain the phenomenon that surrounds the grand romance between vampire Edward Cullen and human teenager Bella Swan, characters played on-screen by Robert Pattinson and Kristen Stewart.

“I don’t know what makes people love it, I don’t know what makes people hate it,” said Meyer, seated comfortably in a suite of a Beverly Hills hotel. “But I do know that the feeling of being in love is a good feeling. We want to feel that emotion.”

“I’ve always said that,” Stewart said to Meyer, sitting beside her. “It’s so vicarious. It’s not like you are watching two people or reading two people. You feel like you are doing it. It’s rare.”

 

There’s no question that “Twilight” is that rare gem: a book and movie property that stokes a kind of unquenchable fire among its largely female fan base. That following has been so sizable and so fervent that the “Twi-hards,” as they’re called, have helped transform Meyer’s supernatural tale into a $2.5-billion business, proving that girl-centric tales can be powerful forces at the box office.

With the fifth and presumably final big-screen entry, “The Twilight Saga: Breaking Dawn — Part 2,” due to arrive in theaters Friday, Meyer and Stewart seem to share a bond reminiscent of the connection between Meyer’s two protagonists.

Their closeness stems from the unlikely duo’s joint goal of ensuring that the beloved material, for all its melodrama, remained intact as it was translated to the big screen. That required them to battle nervous studio executives who wanted Stewart’s interpretation of Bella to be less tortured, hardened detractors who railed against overwrought story lines and pop culture satirists who often turned the franchise into its own punch line.

Meyer had already made the leap from Arizona housewife to bestselling author when she first met Stewart, then an up-and-coming actress building her career primarily through roles in indie films. In the intervening years, Meyer’s stature and influence as a young-adult author became comparable to that enjoyed by J.K. Rowling or Suzanne Collins, though critics never responded to her writing the way enthusiastic readers did.
Stewart, however, has garnered plenty of acclaim — if not in the often tepidly reviewed “Twilight” movies, then in small challenging roles in films such as Sean Penn’s “Into the Wild” or Walter Salles’ upcoming adaptation of the Beat Generation classic “On the Road.” She’s also endured a tabloid celebrity she never planned for thanks to her on-again, off-again relationship with “Twilight” costar Pattinson.
Reaching the end of the saga was particularly satisfying for the actress, who seemed pleased to be able to take Bella to the happy if somewhat complicated conclusion of her journey — and to move on to the next phase of her career.
“I’m so ready to be done,” said the 22-year-old.

Directed like its predecessor by Oscar winner Bill Condon, “Breaking Dawn — Part 2″ begins with Bella Swan as a newborn vampire and a new mother, whose half-human daughter, Renesmee, threatens to spark a war among various tribes of vampires from around the globe. The ruling class in Italy, the Volturi, wrongly assume that Bella and Edward have transformed a human child into a vampire, something that is expressly forbidden, and gather forces to take down the entire Cullen clan.
The story line gave Stewart the opportunity to bring a new dimension to a character who’d always considered herself ordinary and clumsy; with her supernatural powers, she could be graceful and beautiful, lightning-fast and lethal.

A changed Bella
Directed like its predecessor by Oscar winner Bill Condon, “Breaking Dawn — Part 2″ begins with Bella Swan as a newborn vampire and a new mother, whose half-human daughter, Renesmee, threatens to spark a war among various tribes of vampires from around the globe. The ruling class in Italy, the Volturi, wrongly assume that Bella and Edward have transformed a human child into a vampire, something that is expressly forbidden, and gather forces to take down the entire Cullen clan.
The story line gave Stewart the opportunity to bring a new dimension to a character who’d always considered herself ordinary and clumsy; with her supernatural powers, she could be graceful and beautiful, lightning-fast and lethal.
“I played her as human for so long, so the enhanced version of her made so much sense to me,” said Stewart, her long limbs folded under her on the couch. “Everything so perfectly fit that I was so amped to do it.”
Meyer recalled standing in front of the monitor on the set of the film when Stewart shot her first scene as vampire Bella, nervously anticipating the outcome.
“We were dancing by the monitors — ‘Look at her go,’” Meyer said as Stewart pretended to leave the room, not wanting to hear the compliment. “It was such a huge weight lifted. It wasn’t a different character. It was Bella, but it was a totally different Bella. It was so exciting.”
Her newfound abilities also might help to dispel notions that Bella is too passive a character, a young girl too dependent on her boyfriend as a source of her happiness — though Meyer and Stewart flatly reject that view.
“Flop the roles. If Bella was a vampire and Edward was the human and you changed nothing but the genders, none of that criticism would exist,” said Stewart. “It would be ‘Wow, he just laid everything on the line for her. It’s so amazing, and it must take such strength to subject yourself to that.’ Also, the relationship is entirely equal.”
“She gets what she wants,” Meyer added.
“Plus, she’s the one that keeps the bus going the entire time,” continued Stewart. “If it was up to Edward, they would have given up at the first movie.”
The 700-page-plus “Breaking Dawn” novel was released just a few months before director Catherine Hardwicke’s adaptation of “Twilight” reached theaters in 2008. The book was met with controversy, even among Meyer’s loyal fans. Renesmee’s birth is an especially gruesome sequence — one that Condon had to carefully navigate for the previous PG-13-rated movie — and some readers complained about Bella’s choice to carry the child to term despite obvious risks to her own health.
There was also grumbling about an ending that felt too soft, too anticlimactic.
“I had a lot of concerns about making ‘Breaking Dawn’ a movie,” said Meyer, who holds final approval on the scripts for the “Twilight” films. “There were a lot of things they wanted to change. There were some serious problems.”
Fealty to source material on beloved properties like “Twilight” is always a concern — deviate too much from the book and fans, even those who maybe weren’t wild about what was on the page initially, will cry foul. But it was Meyer herself and screenwriter Melissa Rosenberg, who has written each of the five scripts for the films, who devised a new ending over dinner one night in Vancouver while the second “Twilight” movie, “New Moon,” was filming.
Of course, neither Meyer nor Stewart will reveal the new conclusion, but Meyer believes the solution is one fans will embrace. She and her star are somewhat less reserved in their elation for the digital trickery used for Renesmee, who in the book is born the size of a normal baby but whose unusual parentage results in rapid growth. (The character is played in the film by 12-year-old actress Mackenzie Foy.)
Stewart was initially asked to hold a robotic doll instead of a real baby for some scenes, but that approach didn’t yield quite the right result.
“It was the most creepy, horrific horror doll you’ve ever seen — and it was mechanical,” Meyer said with a laugh. “It’s gouging her cheek and sticking to her hair. We reshot the whole thing. We didn’t wind up using any of the footage, but that doll was so horrifying. I mean that doll comes to life and kills people.”
“They should have had a real baby,” Stewart said. “I really missed having a real baby. They were the scenes I looked forward to the most, and then I had this thing. It was really disheartening.”
Instead, the filmmakers employed some techniques David Fincher and his team pioneered for “The Curious Case of Benjamin Button,” projecting Foy’s face on older and younger girls as the script required.
Stewart and Meyer are ready for “Twilight” to come to a close. Its years of pop culture dominance have taken a toll on the women, particularly Stewart, who appears resigned to the glaring spotlight, though no more comfortable with it.
The two discussed the public’s desire to put celebrities on pedestals only to knock them down and the reality of the 24-hour news cycle as the mechanism that’s destroyed the mystery of the movie star.
Stewart compared the need-to-know frenzy to the public wanting another movie, one played out in magazines, on the radio and on television, based on the actors’ real lives. Things turned especially personal for Stewart last summer when photographs surfaced of the actress apparently cheating on boyfriend Pattinson with filmmaker Rupert Sanders, who directed Stewart in the fairy-tale adventure “Snow White and the Huntsman.”
“People are just going to write the movie version of your life and consume it the way they please. I get the inclination to be entertained by that as well, so go for it. Have at it. Take it. Take it,” Stewart said, pulling at her cashmere sweater. “But you knew nothing about my relationship before. You know less now. How could you?”
Meyer sympathizes with Stewart’s plight. Until the teenage stars came along, the author, a self-described introvert troubled that people felt that they knew her without ever having met her, was the one in the eye of the storm.
For Meyer, life after “Twilight” will involve more movies — Open Road will release writer-director Andrew Niccol’s adaptation of her novel “The Host” in March, and she recently produced her own indie film, “Austenland,” based on her friend Shannon Hale’s novel.
Stewart is moving on as well. She just signed on to join Ben Affleck in the lighthearted film “Focus,” in which she’ll play a woman who falls for a veteran con-man.
Meyer said new tales set in the “Twilight” universe continue to rumble in her head, but she’s not sure she’s willing to write them down and reignite the firestorm of publicity and attention.
“The stories are there. I’m just not sure I’d want to get into the hurricane again,” Meyer said. “Maybe on my death bed I’ll gather everybody around and tell them what happens: who dies, who turns into a bad guy. And then I’ll breathe my last breath and be done.”
“What a perfect way to end it,” Stewart added.

source via @kstewfan10 | via

November

8th

Kristen Stewart’s Backstage Interview with a new photoshoot

Since her career rocketed into the stratosphere with the first “Twilight” film in 2008, Stewart has frequently been portrayed in the media as serious or sullen, intensely private and uncomfortable with giving interviews. But spend a few minutes with the 22-year-old, and it becomes apparent that nothing could be further from the truth. Seated in the corner of a Beverly Hills hotel restaurant in a simple white T-shirt and a baseball cap just days before the release of the final “Twilight” installment, “Breaking Dawn: Part 2,” Stewart seems at complete ease. She is thoughtful and warm; despite having only met once in passing six weeks earlier, she instantly recognizes and greets her interviewer with a friendly hug. She’s got a sharp sense of humor. And, for the record, “I actually like giving interviews!” She elaborates, “Given that I can talk to a hundred or more people at a press junket, at some point there is going to be something brought up that makes me see things I never considered. It’s fascinating to talk to so many people about one of the most important things in your life.”

Stewart is also an actor, and a good one at that, a fact that seems to get lost in all the media attention devoted to her personal life. But before “Twilight,” her talent was obvious to the likes of David Fincher, who cast Stewart at age 10 to play Jodie Foster’s daughter in “Panic Room,” and Sean Penn, who handpicked her to appear in his 2007 film “Into the Wild.” There are also her acclaimed turns in the indies “Speak” and as a young woman with a neurological disorder in 2007’s “The Cake Eaters,” a performance so convincing people would always ask director Mary Stuart Masterson where she had found an actor with the actual disease. Next month will see Stewart in one of her most challenging roles to date, as 16-year-old free spirit Marylou in “On the Road,” director Walter Salles’ screen adaptation of the beloved Jack Kerouac novel

Stewart actually met with Salles in 2007 after the director caught her performance as a melancholy teen in “Into the Wild,” but it took several years for the film to get made. It’s time that Stewart is grateful for. “The role was so beyond me at that point,” she says. “I loved the character, and I would have done craft services to be involved with that movie. But I drove away shaking because I was thinking, ‘Oh, my God, I think I’m going to get the job, and I don’t know if I can do it!’ ”

Playing someone as uninhibited as Marylou, who romances both her boyfriend, Dean (Garrett Hedlund), and the film’s protagonist, Sal Paradise (Sam Riley), required Stewart to be exposed, figuratively and literally. The nudity didn’t intimidate Stewart, who played a stripper in 2010’s “Welcome to the Rileys,” though she knew it was something the media would latch on to, anticipating headlines like “ ‘Twilight’ Good Girl Bares All!” says Stewart, “I know it’s an odd thing to say, but it didn’t worry me. I really do love taking walls down. I didn’t want to hide, especially as Marylou—she’s the last person who would hide.” As it turns out, it was a simple dance scene that frightened Stewart the most. “But whenever I had doubts, I was able to talk to Walter, and all my apprehensions went away,” she says. She starts to praise her director at length before stopping herself and saying, “What can I say—he’s fucking awesome.” Salles has nothing but kind words for Stewart in return. “Kristen is a seriously talented actress who’s going to surprise us many times in the future,” the director says in a phone call from Brazil. “She has the possibility to do pretty much whatever she wants, and she opts for roles that are very courageous choices—characters you might not expect her to play.”

While “On the Road” might seem like an attempt to break away from her “Twilight” image, that’s another misconception about Stewart; unlike many actors associated with a popular franchise, she’s not interested in putting Bella Swan behind her. “Other people try to distance me from her, but not me,” she says. “I’ve said it a hundred times before: I love Bella.” To that end, she admits to getting frustrated when people label the character as weak or passive; it does seem a faulty argument, considering how many times Bella takes action that endangers her life to fight for what she loves. “If Edward and Bella switched places, he would be viewed as someone to admire, someone who just lays everything on the line,” she says. “It takes such a strong person to completely subject yourself to something and give yourself over to something so wholly. It’s an equal relationship; they both give the same amount, so why is she condemned for it? I don’t get it.”

Aside from this year’s blockbuster “Snow White and the Huntsman,” Stewart has gravitated largely to independent fare between “Twilight” films, like playing Joan Jett in “The Runaways” or holding her own opposite Melissa Leo and James Gandolfini in “Rileys.” But “Twilight” has much more in common with those scrappy indies than people think; the first film was not a guaranteed hit when she signed on, just a modestly budgeted movie with unknown actors from an unproven studio. “It’s funny how people forget that,” Stewart says. “If I don’t look elated in a paparazzi photo, people say, ‘Well, you signed on to this!’ Well…not really, all right?” Stewart can pinpoint the moment she began to realize what the film would become. “It was at Comic-Con, when we were literally hit with the energy of 6,000 people like a brick wall in the face. That was the moment I went, ‘What the fuck is this going to be?’”

No one could have anticipated the phenomenon it would become, let alone Stewart, who tries to take the scrutiny and attention in stride. Which brings us to “Fifty Shades of Grey,” the erotic publishing phenomenon that began as “Twilight” fan fiction. Has Stewart read it? “Not really—I’ve skimmed parts of it,” she says. “When I read the first few pages describing her messy hair, I was like, ‘This is so strange.’ ” Stewart can’t resist an uninhibited laugh, adding, “But it’s just so raunchy! I mean, obviously, everyone knows that. But when I see people reading it on planes and stuff, I’m genuinely creeped out. Like, you’re basically just reading porn right now! Get that blanket off your lap!”

In 2007, Walter Salles was having dinner with two friends, “Babel” director Alejandro González Iñárritu and composer Gustavo Santaolalla, when he mentioned he was looking for a young actor to play Marylou in “On the Road.” Says Salles, “They both said, in unison, ‘You absolutely have to meet this girl who is in ‘Into the Wild.’ ” After checking out the film, Salles was taken by the then-unknown Kristen Stewart. “Kristen doesn’t appear for the first two-thirds of the film, but when she comes into the story she just brings a unique light and magnetic quality to the screen that very few actresses possess,” he says. After a meeting at the Sunset Marquis (a place Stewart says now has “a very special place in my heart”), Salles offered her the role. “Several actors were testing for the part at this point, and I didn’t even ask her to test,” he says.

On set, Salles says Stewart impressed everyone with her work ethic. “She is unbelievably concentrated. She can be so tough with herself; she doesn’t give up until she reaches a point where she believes she did her best. That kind of pursuit of excellence is really a gift for any director.” As for her lesser-known talents, he says, “Her iPod had the best selection of music from the ’70s you will ever find, so whenever we wanted good music, we would report to Kristen. Also, she plays pool as well as the boys. Better, in fact. She beat them most of the time.”

For our interview with Kristen Stewart, pick up copies of Backstage on newsstands Nov. 08. 

source via @malenacasey | via kstewartfans

November

8th

November

8th

Kristen Stewart Stills from ‘Late Night with Jimmy Fallon’

You can check out more pics here.

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